Nepali Literature

Nepali Literature 

Nepali Literature  alludes to the writing of Nepal written in the Nepali dialect. The Nepali dialect has been the national dialect of Nepal since 1958.

The Nepali dialect advanced from Sanskrit and it is hard to precisely date the historical backdrop of Nepali writing following most early researchers wrote in Sanskrit. It is however conceivable to generally separate Nepali writing into five periods.

Pre-Bhanubhakta Era

It is believed that Nepali writing has existed in verbal old stories for the past many years; however there exists no proof of a composed artistic work before the Bhanubhakta. Before Bhanubhakta, composing was done in Sanskrit, and on the grounds that it was a dialect open by high-station Brahmins just around then, numerous Nepali individuals were not included in writing. A couple of researchers have contended that artist Suwananda Daas was the main abstract figure ever.

Bhanubhakta Era

Nepali speakers honor Bhanubhakta as the "Adikavi" (truly signifying 'first writer') of the Nepali dialect. Bhanubhakta's most imperative commitment to Nepali writing is likely his interpretation of the sacred Ramayana into Nepali dialect. He composed the Ramayana in metric structure, utilizing the same structure as Sanskrit researchers. Other than interpreting the Ramayana, Bhanubhakta additionally composed unique ballads on an assorted scope of subjects: from promotion of family ethics to parodies of organization and poor states of prisoners.

Mid twentieth century 

Motiram Bhatta (1923–1953) resuscitated the legacy of Bhanubhakta and advanced the commitments of the last mentioned. Motiram assumed such a central part in the legacy of Bhanubhakta that some affirm that Bhanubhakta was only a manufacture of Motiram's mind.

1960-1991

The Pre-Revolution Era was an extremely productive time for experimental writing in spite of the absence of flexibility of expression, amid the period the autonomous magazine "Sharada" was the main printed medium accessible for distribution of Nepali writing. Short stories by Laxmi Prasad Devkota, Guru Prasad Mainali, Bishweshwar Prasad Koirala and Gadul Singh Lama (Sanu Lama), has gotten to be perceived as of colossal significance. It is apparently the most critical period for the improvement of Nepali literature.

Plays like the compelling Muna Madan by Laxmi Prasad Devkota tell the stories of human lives: the story is around a man who leaves his better half mother and home, travels to another country keeping in mind the end goal to win cash and his mom and spouse are now dead when he returns home. Be that as it may, the story likewise depicts the life of the spouse who endured incredibly without her better half. Different stories by Bishweshwar Prasad Koirala brought brain science into writing, for occurrence through manifestations, for example, "High schooler Ghumti", "Doshi Chasma" and "Narendra Dai".

This administration created a few conspicuous writers like Laxmi Prasad Devkota, Gopal Prasad Rimal, Siddhicharan Shrestha, Bhim Nidhi Tiwari and Balkrishna Sama. Later Period a few artists come into light amid one Panchayat administration. Indra Bahadur Rai,[3] Parijat, Bhupi Sherchan, Madhav Prasad Ghimire, Bairagi Kainla, Krishna Bhakta Shrestha, Madan Regmi, Dwarika Shrestha, Mohan Koirala, Upendra Shrestha, Ishwor Ballav and Tulasi Diwas and Krishnabhushan Bal can be named in such manner.


Post-Revolution Era

There are numerous cutting edge Nepali writers who have been dynamic in composing momentous, creative Nepali writing in the time after the Democracy Revolution of 1991 and proceeding into the present day, e.g. Khagendra Sangraula, Shailendra Sakar,Yuyutsu Sharma, Bimal Nibha, Nayan Raj Pandey, Narayan Wagle, Mahananda Poudyal, Toya Gurung, Durba Chandra Gautam, Roshan Thapa, Saru Bhakta, and so forth.

Among the more youthful era artists the names of Sarada Sharma, Ramesh Kshitij, Nawa Raj Subba, Suman Pokhrel, Homraj Acharya, Netra Atom, Raj Kumar Bania, Vivash Basti, Bimal Bhoikaje, Gayatri Bist, Buddhi Sagar Chepain, R. M. Dangol, Prateek Dhakal, Padam Gautam, Jyoti Jungle, Amog Kafle, Khadga Sen Oli, Sudip Pakhrin, Ramesh Paudel, Biplov Prateek, Hom Parbag, Vyakul Pathak, Khumnarayan Poudel, Saran Rai, Vishnu Rai, Rasa, Shyam Rimal, Promod Snehi, Chunky Shrestha, Rajendra Shrestha, Prakash Silwal, Prahlas Sindulee, Lal Gopal Subedi, Bimala Tumkhewa, Tanka Uprety, and Gyanendra Vivash can be refered to.

Nepali speakers are quickly moving far and wide and numerous books of Nepali writing are distributed from various corners of the world. Diasporic writing has grown better approaches for deduction and new branches in Nepali writing.