Tuesday, April 26, 2016

Kathmandu Durbar Square

Kathmandu Durbar Square
Kathmandu Durbar Square before the old imperial royal residence of the previous Kathmandu Kingdom is one of three Durbar (regal royal residence) Squares in the Kathmandu Valley in Nepal, all of which are UNESCO World Heritage Sites. 

A few structures in the Square crumpled because of a noteworthy seismic tremor on 25 April 2015. Durbar Square was encompassed with dynamite design and strikingly showcases the aptitudes of the Newar specialists and skilled workers more than a few centuries. The Royal Palace was initially at Dattaraya square and was later moved to the Durbar square.

The Kathmandu Durbar Square held the royal residences of the Malla and Shah lords who ruled over the city. Alongside these royal residences, the square encompasses quadrangles, uncovering patios and sanctuaries. It is known as Hanuman Dhoka Durbar Square, a name got from a statue of Hanuman, the monkey aficionado of Lord Ram, at the passage of the royal residence. 

History and construction

The inclination for the development of regal royal residences at this site goes back to as right on time as the Licchavi period in the third century. Despite the fact that the present royal residences and sanctuaries have experienced rehashed and broad redesigns and nothing physical stays from that period. Names like Gunapo and Gupo, which are the names alluded to the royal residences in the square in early sacred writings, infer that the royal residences were worked by Gunakamadev, a King managing late in the tenth-century. At the point when Kathmandu City got to be autonomous under the guideline of King Ratna Malla (1484–1520), the royal residences in the square turned into the Royal Palaces for its Malla Kings. At the point when Prithvi Narayan Shah attacked the Kathmandu Valley in 1769, he supported the Kathmandu Durbar Square for his royal residence. Other resulting Shah lords kept on decision from the square until 1896 when they moved to the Narayan Hiti Palace. 

The square is still the focal point of vital imperial occasions like the crowning ritual of King Birendra Bir Bikram Shah in 1975 and King Gyanendra Bir Bikram Shah in 2001. 

Despite the fact that there are no composed documents expressing the historical backdrop of Kathmandu Durbar Square, development of the royal residence in the square is credited to Sankharadev (1069–1083). As the principal lord of the free Kathmandu City, Ratna Malla is said to have constructed the Taleju sanctuary in the Northern side of the royal residence in 1501. For this to be genuine then the sanctuary would have needed to have been implicit the vihara style as a major aspect of the royal residence premise encompassing the Mul Chok yard for no proof of a different structure that would coordinate this sanctuary can be found inside the square. 

Development of the Karnel Chok is not plainly expressed in any verifiable engravings; in spite of the fact that, it is likely the most established among every one of the yards in the square. The Bhagavati Temple, initially known as a Narayan Temple, ascends over the houses encompassing it and was included amid the season of Jagajaya Malla in the mid eighteenth century. The Narayan symbol inside the sanctuary was stolen so Prithvi Narayan Shah supplanted it with a picture of Bhagavati, totally changing the name of the sanctuary. 

The most seasoned sanctuaries in the square are those worked by Mahendra Malla (1560–1574). They are the sanctuaries of Jagannath, Kotilingeswara Mahadev, Mahendreswara, and the Taleju Temple. This three-roofed Taleju Temple was set up in 1564, in a commonplace Newari engineering style and is raised on stages that shape a pyramid-like structure. It is said that Mahendra Malla, when he was dwelling in Bhaktapur, was profoundly given to the Taleju Temple there; the Goddess being satisfied with his dedication gave him a dream approaching him to construct a sanctuary for her in the Kathmandu Durbar Square. With an assistance of a loner, he composed the sanctuary to give it its present structure and the Goddess entered the sanctuary as a honey bee. 

His successors Sadasiva (1575–1581), his child, Shiva Simha (1578–1619), and his grandson, Laksmi Narsingha (1619–1641), don't appear to have made any significant increases to the square. Amid this time of three eras the main developments to have happened were the foundation of Degutale Temple committed to Goddess Mother Taleju by Shiva Simha and some improvement in the imperial castle by Laksminar Simha.

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